Tag Archives: George Lucas

Happy Exploiting-Childhood-Nostalgia-In-Order-To-Teach-Gnostic-Philosophy Day…

Apparently today is international “Star Wars Day”…

The above items are all that remains of my once embarrassingly large collection of Star Wars memorabilia. Like many other “X-ers” whose elementary years took place in the 80’s, I was captured by the SW bug.

Then after being too cool for it in Junior High and High School, the nostalgic flame was rekindled within me in my college days when wandering through a kitschy shop I came a came across a life-size cardboard cutout of Boba Fett that I absolutely had to have. Before the remakes had come out, it still felt like a somewhat “retro” little thing, and I began to find myself slipping in VHS tapes of the trilogy in order to help me fall asleep at night, the hum of lightsabers and artoo’s beeps providing a surprisingly effective white noise of nostalgic soundscape.

But soon my fondness for stiff-appendaged action figures and wookie growls started to wane, as George Lucas began releasing his “re-mastered” versions of the first three films. Brighter explosions and deleted scenes with CGI Jabba weren’t all that impressive from my perspective, but they still could not have prepared me for the wake-up moment right around the corner known as “Episode I”…

Instead of experiencing anything remotely similar to the suped up 70’s space flashback I had been hoping for, I sat in my seat at the Cinerama feeling like I was watching something made for six-year-olds, which of course, I was. The “epic backstory” everyone awaited turned out to be nothing more than redesigned Stormtrooper outfits, and some bizarre bits about midi-chlorians and a virgin birth of the “prophesied one”.

The nostalgia was dead, and it didn’t matter how many new colors or combinations the lightsabers kept coming out in. The gritty, realistic feel of shooting on real film, with miniature models and intricate puppets was replaced with overly-saturated hues of green-screen backdrops and CGI characters that left you shaking your head at how Ewan McGregor had to overact so badly while talking to thin air on the set.

But anyhow, that’s not the point. The magnificent let-down of the prequels was in fact a blessing in disguise for me, because it served to finally cut the Lucasfilm cord in my dorky fan-boy heart, and enabled me to finally be able to step back and eventually comprehend how the whole ridiculous franchise was about so much more than just the most massive toy/cross-promotion scam in entertainment history. What Star Wars effectively did make the precepts of occultism and gnostic wizardry cool, and embedded them in a pop-culture language that could be absorbed by the masses…

This is hardly news to some people, but for many others is still something I don’t think is very well comprehended. To get into all the embedded symbolism and Luciferian allegory would be far beyond the scope of this post, but there are scores of researchers who have dedicated themselves to exploring these topics in great depth out there, so it’s certainly not a difficult thing to look into for oneself.

Lots of great symbolism to be found, and of course now with the new movies about to start coming out, speculations about what kinds of new subliminal content and memes could be coming next. For me, I think probably one of the most basic and fundamental elements which pertains to gnostic eschatology and the whole “New World Order vs. Truthers” paradigm, is the concept of the “dark anti-Christ” figure/empire being defeated by the “Light” hero/rebels. In the first video above you even see them equating the Sith Lords and the Empire with guys like George Dubbya and the NWO. I personally believe this is the exact intention.

“Only Sith Lords deal in absolutes”… Younger Obi-Wan says this to Anakin just before their duel over a river of lava in Episode III, and it serves as about as perfect a summation of the New Age gnostic belief system being propagated in these movies as you could find. The net takeaway? If you believe in “moral absolutes”, you are actually following the “dark side”, the side of religious intolerance and Imperialistic war-mongering oppressors like the Bushes and Rockefellers and Clintons etc. Unless you have a more “evolved” consciousness, then you are a slave to the “Sith lords”.

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This type of dark/light conflation is at the heart of the Great Deception which will compel the world to embrace the “Man of Lawlessness”, as a perceived liberator, rather than some dictator. I too find it quite amazing that the name of the next Star Wars film is “The Force Awakens”, since a “grand awakening” or a “consciousness shift” is in fact the very thing that so many people who have bought into this whole Zeitgeistesque, New Age, Gnostic “truth movement” are constantly claiming is what the world needs to experience in order to throw off the shackles of the “evil empire”, the New World Order. They long for the day when there will be a mass awakening into some kind of “new humanity”, but in reality it will be the very opposite of what they are hoping for…

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THX: Sounds of Saturn…?

Screams coming from beyond “Saturn’s Gate”?  That was the thought which occurred to me as I was watching the video below…

The more I have watched videos from RSE, seeing him point out these same themes which show up in tv, movies, commercials etc., over and over and over again, the more I really do find myself starting to grasp this whole seemingly bizarre concept of Saturn-centric Luciferian eschatology. In the film Interstellar which I reviewed recently, it too contains the same connections between Saturn and a portal/wormhole. Not only is the first wormhole placed right next to Saturn, even the black hole on the other side of the galaxy, “Gargantua”, itself had a Saturn-shape to it, once again reflecting the same sorts of things that RSE is always talking about with Saturn being viewed by the Luciferians as both the mechanism of their own escape/rapture, and the gate through which the Fallen Ones will return to earth. It’s a two-way thing. I admit it has taken me a while to get to the point where I feel like I’m understanding how all these various symbologies work together and indeed all point to the same basic thing, the Luciferian “hope”, their version of Revelation, their anticipated “Resurrection”…

The oculus. The aperture. The gate. The cube. The eye. Again and again he shows these things working in conjunction with each other almost like symbolic talismans.

Something I found really interesting that he brings up in the video is some speculation regarding the possibility of “THX” being a way a different way of representing the “XIIX”, which is itself an alpha-numerical symbol for the “Saturn Gate” thing once again. Instantly I began to think of the movie itself “THX 1138”, which was a Coppola-funded remake of a student project Lucas did while in film school. My thoughts quickly recalled the scene at the end of the movie, where Robert Duvall’s character (his name being the number “THX 1138”) finally escapes from a drug-controlled, sexually-repressed dystopia controlled by robot policeman and an oppressive computerized messianic big-brother figure…

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It is definitely a rather bizarre coincidence, to think about “THX” being another rendering of XIIX, some kind of code for this idea of “escaping out” through some kind of portal/tunnel/oculus, and then remember that this is precisely how “THX” escapes the oppressiveness of a “dictatorial god” by climbing up through a shaft, a “portal”, into the sunshine. How perfectly Gnostic and Luciferian a depiction for sure.

But then, Lucas’s obsession with the letters THX continues on, findinggraffiti%20coupe%20111 it’s way onto the license plate of the yellow roadster in Lucas’s “American Graffiti”, and then finally of course as the name of the Lucasfilm branch-off company which was developed to assure sound quality during the making of Return of the Jedi.

Star Wars is itself a whole other subject in and of itself with what I believe is a whole host of Luciferian eschatological concepts, memes (a virgin-birthed “sorcerer” Jedi, whose bloodline contains a unique ability to connect with the “universal force”, but then because a type of temporary “false-antichrist” who then turns on the “evil Emperor” in order to finally return the galaxy back to a “golden age”…) but that’s probably best kept for another time!

Overall, I guess what I’m saying is that the more I listen to these things being pointed out, the more I find it making so much sense that behind all this symbolism of Saturn, the “cube”, the “Dark Star”, is BOTH this whole portal idea, a “shaft of light” going up and out, the “rapture for the Illumined” if you will, AND the concept of the pit, the Abyss, the box, the cube, the prison that they want to break open in order to unleash the Beings on the other side.

I find it pretty astonishing, overall, to think that not only does “Luciferian eschatology” very much exist, but in fact we’ve all been watching it, reading it, learning it, for most of our lives now, without even realizing it…
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